Netflix, the US TV and movie streaming service has been in the news rather a lot recently. It seems Hollywood can't quite figure out whether it should be embracing or trying to kill the company.
As Greg Sandoval points out, Netflix is posing significant commercial challenges to Hollywood's current business models and distribution channels. It competes - with astounding success - with channels as diverse as DVD sales, movie sales to airlines, and cable and broadcast television.
And why wouldn't it? I could fork out $10 for a DVD, of $8 a month for all the films I want to watch. I could fit my life around the schedule of the network that happens to carry my favourite show, or I could stream it off Netflix whenever it suits me.
As traditional distribution channels are currently more lucrative for studios, they feel threatened by Netflix. Yet, the popularity of the service, its rapid growth and the simple fact that it is able to compete on all of these fronts should give you an idea of where the future lies.
There is a legitimate concern here that Netflix will become sufficiently big and dominant in the market to start dictating terms - similarly to iTunes' role in the digital music market, or Amazon's when it comes to book selling. A monopoly like that wouldn't be good for the studios, and frankly, it probably wouldn't be good for consumers. Having said that, Hollywood studios and TV networks are hardly paragons of market competition themselves.
So one by one, the big TV networks and film studios are beginning to freeze out Netflix. HBO has been doing this for a while, but was recently joined by Showtime and Starz. Both are imposing delays on new original shows going up on Netflix. If these networks have their way, Netflix will become an outlet of the lowest-value, most dated content, and users will get bored with it, so Sandoval.
It is possible - even likely - that these moves will hurt Netflix, but they will probably hurt the networks a lot more. Because let's face it, I could fit my life around the schedule of the network that happens to carry my favourite show... or now that I've been left without a legitimate, paid-for way of getting my show whenever I want, I can go to the BitTorrent site of my choice, download it that way, and watch it when it suits me. Oh, and this way, I can keep it too, DRM-free, to watch even when I don't have a net connection! Oops.
If this experiment succeeds, Netflix will no longer be only a distributor of other people's content, reliant on studios and networks, they will be a big player in content production themselves. I suspect that even if this particular experiment doesn't succeed, the next one, or the one after that will - I doubt we can put that genie back in the bottle.
Indulge me as I engage in a little crystal-ball gazing for a minute. As we all know, film studios are already freaking out about piracy, mostly in the form of bootleg DVDs, though increasingly also when it comes to downloads. We haven't seen similar moves from TV networks yet, though torrenting TV shows is arguably everyone's favourite secret hobby these days.
We use it to watch shows when it's convenient for us, or to get access to shows not yet available in our particular geography. There has been some recognition of this threat, and so far networks have shown a remarkably sane and restrained reaction: the Lost finale aired at the same time on both sides of the Atlantic, and BBC America have finally decided to air Doctor Who on the same day in both the US and the UK. This way, both fans and the network win. Hopefully, we will see more of this.
However, I suspect we will also start seeing more of a crackdown on torrenting TV series in general. At the same time, we will hopefully see more experiments with legal online video content delivery. That may take the form of further original content commissioned by online distributors like Netflix, the industry's own experiment Ultraviolet, or something else no one's thought of yet.
I also hope to see a lot more crowd-funded independent productions trying to make the online distribution model actually pay. We as consumers have a powerful role to play during this exciting time. We can vote with our wallets and our feet. So let's make sure we encourage competition, discourage DRM, encourage independent productions, and encourage services which fit our requirements best, rather than those with the highest profit margins for the studios.
Milena is an economics & politics graduate, an IT manager, and a campaigner for digital rights, electoral reform and women's rights. She tweets as @elmyra
Last week's agreement to create a .xxx generic top-level domain (generic in the sense of not being identified with a particular country) seems like a quaint throwback. Ten or fifteen years ago it might have mattered. Now, for all the stories rehashing the old controversies, it seems to be largely irrelevant to anyone except those who think they can make some money out of it.
How can it be a vector for censorship if there is no prohibition on registering pornography sites elsewhere? How can it "validate" the porn industry any more than printers and film producers did? Honestly, if it didn't have sex in the title, who would care?
It sounded like a good idea at the time. Many of the best ideas are simple – with a kind of simplicity mathematicians like to praise with the term "elegant". Unfortunately, many of the worst ideas are also simple – with a kind of simplicity we all like to diss with the term "simplistic". Which this is depends to some extent on when you're making the judgement.
A year or two later, I heard that one of the problems was that no one wanted to police domain registrations. Sure. Who could afford the legal liability? Besides, limiting who could register what in which domain was not going well: .com, which was intended to be for international commercial organizations, had become the home for all sorts of things that didn't fit under that description, while the .us country code domain had fallen into disuse.
No one has ever managed to settle – again – the question of what the domain name system is for, a debate that's as old as the system itself: its inventor, Paul Mockapetris, still carries the scars of the battles over whether to create .com. (If I remember correctly, he was against it, but finally gave on in that basis that: "What harm can it do?") Is the domain name system a directory, a set of mnemonics, a set of brands/labels, a zoning mechanism, or a free-for-all?
ICANN began its life, in part, to manage the answers to this particular controversy; many long-time watchers don't understand why it's taken so long to expand the list of generic top-level domains. Fifteen years ago, finding a consensus and expanding the list would have made a difference to the development of the net. Now it simply does not matter.
I've written before now that the domain name system has faded somewhat in importance as newer technologies – instant messaging, social networks, iPhone/iPad apps – bypass it altogether. And that is true. When the DNS was young, it was a perfect fit for the internet applications of the day for which it was devised: Usenet, Web, email, FTP, and so on.
But the domain name system enables email and the web, which are typically the gateways through which people make first contact with those services (you download the client via the web, email your friend for his ID, use email to verify your account).
The rise of search engines – first Altavista, then primarily Google – did away with much of consumers need for a directory. Also a factor was branding: businesses wanted memorable domain names they could advertise to their customers. By now, though probably most people don't bother to remember more than a tiny handful of domain names now – Google, Facebook, perhaps one or two more. Anything else they either put into a search engine or get from either a bookmark or, more likely, their browser history.
Then came sites like Facebook, which take an approach akin to CompuServe in the old days or mobile networks now: they want to be your gateway to everything online (Facebook is going to stream movies now, in competition with NetFlix!) If they succeed, would it matter if you had – once – to teach your browser a user-unfriendly long, numbered address?
It is in this sense that the domain name system competes with Google and Facebook as the gateway to the net. Of all the potential gateways, it is the only one that is intended as a public resource rather than a commercial company. That has to matter, and we should take seriously the threat that all the net's entrances could become owned by giant commercial interests. But .xxx missed its moment to make history.
With respect to the class action analysis, the court correctly concluded that the settlement did not take account of the interests of all of the class members, such as academic authors. As UC Berkeley law professor (and EFF board member) Pamela Samuelson noted in a letter quoted by in the decision,
Academic authors, almost by definition, are committed to maximizing access to knowledge. The [Authors] Guild and the [Association of American Publishers], by contrast, are institutionally committed to maximizing profits.
For example, academic authors, if they had been represented at the negotiating table, might have pushed harder for settlement terms that would have allowed readers open access to orphan works.
On the policy front, the court recognized – as do we – the extraordinary potential benefits of the settlement for readers, authors and publishers. We firmly believe that the world's books should be digitized so that the knowledge held within them can made available to people around the world.
But the court also recognized that the settlement could come at the price of undermining competition in the marketplace for digital books, giving Google a de facto monopoly over orphan books (meaning, works whose owner cannot be located).
The court concluded that solving the orphan works problem is properly a matter for Congress, not private commercial parties. Sadly, Congress has thus far lacked the will to do so. Perhaps yesterday's decision will finally spur Congress to revisit this important issue and pass comprehensive orphan works legislation, that allows for mass book digitization.
That said, the court also got some things fundamentally wrong in its copyright analysis. For example, it states that "a copyright owner's right to exclude others from using his property is fundamental and beyond dispute" and then proceeds to quote at length from the letters of numerous authors (and their descendants) who share the misguided notion that a copyright is, by definition, an exclusive right to determine how a work can be used.
We respectfully disagree. Copyright law grants to authors significant powers to manage exploitation of creative works as a function of spurring the creation of more works, not as a natural or moral right. And those powers are subject to numerous important exceptions and limitations, such as the first sale and fair use doctrines.
Those limits are an essential part of the copyright bargain, which seeks to encourage the growth and endurance of a vibrant culture by both rewarding authors for their creative investments and ensuring that others will have the opportunity to build on those creative achievements.
Thus, as the Supreme Court has explained, such limits are "neither unfair nor unfortunate" but rather "the means by which copyright advances the progress of science and art." If the legal issues raised in the underlying lawsuit are ever litigated on the merits, let's hope this or any future judge keeps the traditional American copyright bargain firmly in mind.
The court also insists that it is "incongruous with the purpose of copyright laws" to ask copyright owners to come forward (via the proposed settlement's opt-out procedures) to protect their rights if they object to Google's activities. Actually, that is precisely what our legal system assumes, that is, that the copyright owner carries the burden of asserting its rights.
And a good thing too, because in many cases, as the orphan works discussion demonstrates, the rightsholder may not be findable (this is especially the case when the original author has died or the publisher has gone under) or may not be interested in asserting their rights. Either way, putting the onus on the rightsholder to step forward expands the breathing space for re-use of creative works.
Finally, the court gives undue credence to the alleged concerns of foreign rightsholders, even though most non-U.S. works were excluded from the proposed settlement, concluding that whether or not the international law concerns are legally valid, "it is significant that foreign authors, publishers, and, indeed, nations would raise the issue." If, as the court suggests, the orphan works problem can only be solved at the global level, we fear that solution is far-off indeed.
The court urges the parties to go back to the drawing and craft an "opt-in" solution. We worry that limiting digitizers to an "opt-in" approach will result in the creation of limited digital bookstores instead of vast digital libraries. Regardless, we'll be watching to see what parties to the lawsuit do – and who is invited to participate in the process.
This article originally appeared here. You can visit the EFF main site here.
Corynne McSherry is Intellectual Property Director at EFF, specializing in intellectual property and free speech issue
It is disappointing that a couple of ISPs are trying to frustrate the Digital Economy Act which had been enacted by Parliament, says the BPI. Saskia Walzel argues that it was predictable that laws which had been forced through parliament without proper scrutiny would run into trouble
Today the High Court starts to scrutinise the copyright infringement provisions of the Digital Economy Act 2010. Section 3 to 18 of the Act are subject to a judicial review, brought by the ISPs BT and TalkTalk. If successful, that part of the Act will be squashed by the High Court. Acts of Parliament are hardly ever judicially reviewed, but permission to judicial review has been granted because the Digital Economy Act potentially violates a string of laws governing telecommunications providers, privacy and human rights.
The hundreds of people who watched the parliamentary debate on the Digital Economy Bill online are likely to have been left with the impression that the Bill did not receive the kind of scrutiny a law with such fundamental impacts usually gets.
They are right – after completing all five stages of debate in the House of Lords, the Bill was introduced to the House of Commons on the 16th March 2010. The Bill’s 2nd reading was scheduled for the afternoon of the 6th April. On the morning of the 6th April Gordon Brown formally asked the Queen to dissolve Parliament on the 12th April, the general election being on the 6th May.
In a process known as “wash-up” the Commons Committee and 3rd reading were done on the 7th of April, with no report stage. The usual to-and-fro between both Houses was done on the 8th of April, the same day the Bill received Royal Assent and became law. Essentially the usual parliamentary scrutiny was cut short once the election was called, and a process that takes months was completed on a procedural basis within two days.
She went on to lambast the wash-up process for denying parliament the right to properly scrutinise the bill. As a commentator on YouTube later said “I literally applauded for this lady”, and I remember that was the sentiment of many who watched her online and tweeted about it.
At the time Mollet considered the outlook of getting the bill through parliament as “good and middling”. The principal threat at that point appeared to be the ”security services” which “imperilled” the web-blocking provisions (now section 17 and 18). Mollet was less concerned about the House of Commons, which was about to scrutinise the bill. He wrote:
“As for the House of Commons – which will be sent the Bill next week – there is a strange sense of detachment. MPs with whom we spoke back in Autumn are already resigned to the fact that they will have minimum input into the provisions from this point on, given the lack of time for detailed scrutiny. One leading backbencher has told us that there is “little point in meeting, since the Bill will be determined at wash-up”. That said, John Whittingdale – an inveterate “timing sceptic” (ie he’s for the Bill but doesn’t think it will get through in time) has said this week that he still thinks it could be lost if enough MPs protest at not having the opportunity to scrutinise it. Whilst true in constitutional theory terms, the hard politics of the situation makes it seem unlikely. And inveterate opponents like Derek Wyatt and Tom Watson continue to blog and tweet with critical comments, but there is not the sense of a groundswell of massive opposition to the Bill.”
Immediately after the leak, Glyn Moody’s call for a groundswell of massive opposition flooded Twitter after he was retweeted thousands of times. Speaking in the House of Commons after the election had been called, Labour MP John Grogan read out the above passage of the leaked email, arguing that “We should not take our orders from such a lobbyist... given all that has happened in the past few weeks and in the past year... this House should say, "No, we're not going to pass this Bill by means of a thinly attended debate tonight, and the wash-up tomorrow.”
In the end, parliamentarians and the people witnessed Mandelson’s Ministers forcing the bill through parliament. Parliamentarians predicted that the law would run into trouble, and declared their intention to subject it to further scrutiny. Soon after the general election, Lords and MPs started to set the wheels in motion to make the Digital Economy Act subject to a select committee inquiry and post-legislative scrutiny.
Asked recently why Section 3 to 18 of the Act had not yet been implemented, nearly a year after they became law, Hunt explained to the House of Commons that the sections are “very difficult to implement because many of its measures did not get proper parliamentary scrutiny as the hon. Gentleman's discredited Labour Government rushed it through Parliament in their final dying days.”
The reality is that the Digital Economy Bill would not have stood the test of full parliamentary debate and scrutiny. It should not be surprising that a law that was forced through parliament in such a brutal way would run into trouble. And neither should it be surprising that parliamentarians who had been denied the opportunity to fully consider the bill would seek to subject the Act to scrutiny. Those who threw constitutional theory out of the window have landed us with a Dangerous Dogs Act of a legislation – unworkable in practice, and lacking in public support.
Saskia Walzel is policy advocate at Consumer Focus. She tweets as SaskiaWalzel
When you signed up to Twitter, did you read the small print? Or did you just
scroll past the 10-line box of monospaced font Twitter gives you to
view their Terms of Service (which are actually six-and-a-half pages long,
excluding the "Twitter Rules” which are also part of the ToS), and click “Create Account”? If you’re anything like me, you probably did the latter, and
thus missed the following crucial point:
We reserve the right at all times (but will not have an obligation) to remove or refuse to distribute any Content on the Services and to terminate users or reclaim usernames.
What you probably also missed was this gem from Twitter’s Trademark
policy (not technically part of the ToS as far as I can
When there is a clear intent to mislead others through the unauthorized use
of a trademark, Twitter will suspend the account and notify the account
When we receive reports of trademark policy violations from holders of
federal or international trademark registrations, we review the account
and may take the following actions:
When we determine that an account appears to be confusing users, but is not
purposefully passing itself off as the trademarked good or service, we
give the account holder an opportunity to clear up any potential
confusion. We may also release a username for the trademark holder's
So you, me, and the vast majority of the rest of the Twitter community had a very rude awakening last Friday when
Twitter “reclaimed” an established username from an active account to
hand it to a company with a registered trademark. I spoke to
Morna Simpson, the original and now re-instated owner of the @girlgeeks Twitter account and one of the women behind Girl Geek Scotland.
Girl Geek Scotland is probably best described as a Scotland wide community
group (or network) that promotes women in technology. It is part of the Girl Geek Dinners
Network founded by Sarah Blow in 2005, often referred to as “Girl Geeks"
in shorthand and which estimates around 98 groups and 30,000
participants worldwide. Girl Geek Scotland has four teams one in
Edinburgh, Dundee, Glasgow and Aberdeen as well as a newly formed media
I sometimes joke that it is an elaborate hobby because all our team
members work completely voluntarily. Most of our team members work
full-time and some own their own businesses, so it is a case of
squeezing in the work after hours or at the weekends. We pay our own
expenses and we even buy our own tickets for the Girl Geek Dinners that
we run. It can be exhausting! We do it because diversity in general is a
really important issue and women's rights are also human
For Morna, this is clearly a labour of love, and she has worked tirelessly
on it for over two years, building the community, the brand, and its
social media presence, including on Twitter.
We have a very broad social media presence that goes back two years in
our messy setting-up period. We use Facebook, Flickr, Youtube, Vimeo,
Delicious, Pinboard, Linkedin and more. When people blog about Girl Geek
Scotland or even when we appear in mainstream press, my Twitter name is
frequently used as a key point of contact. It appears in all our
However, @girlgeeks (my Twitter name) is also my personal digital identity. That
means that I express my personal (sometimes political) point of view,
and sometimes spend time chatting with my friends online.
What is really important about this issue is that @girlgeeks has become a
key point of contact for others to get in touch with me. It has become
so much a part of my persona that I am sometimes introduced to an
audience or individuals as "girlgeeks". I use it in my email signature.
So people use it to find me on Skype, blogs, my personal Linkedin and so
When Twitter reclaimed the @girlgeeks username, and added an underscore to Morna’s account, this had a massive impact:
I was put in the position of losing a great deal of personal and business
contacts whose first point of contact would often be through my Twitter
username. To give specific examples, Girl Geek Scotland has received
sponsorship and speaker contacts through my @girlgeeks account and I
have personally received job offers through it.
The work that I had done (unpaid and voluntarily) in support of the Girl
Geek community worldwide was in danger of being credited to an
organisation that I am not associated with. The good work of the Girl
Geek Scotland team - which I am very proud of - would not be visible.
The work that I have done personally could easily be confused with the
work of this company.
To add insult to injury, Morna was not given advance warning or the
opportunity to dispute the username change. She simply got an email from
Twitter, informing her that “We have received a report from
Girl Geeks Limited regarding your account, @girlgeeks. To resolve
confusion with the trademark owner, we have added an underscore to your
username, now @girlgeeks_, and have released the trademarked username to
the trademark holders for their active use on Twitter.”
It is easy to see how Twitter, as a commercial service, would be tempted
to serve the interest of other commercial companies before those of
their users - it is a common conflict of interest in ad-supported
business models. Ads on Twitter may not be as intrusive as elsewhere,
but that’s what promoted accounts and trends essentially are.
Other web-based business that have fallen into this trap include LiveJournal
and Facebook, both of which have been criticised for their treatment of
users as a monetisable commodity. Facebook is notorious for its gung-ho approach to users’ privacy; LiveJournal has faced
much criticism both for taking the service in a direction users didn’t
want and for more serious incidents such as the adverts it was serving containing malware.
Nor is this the first time a commercial company has - accidentally or deliberately -
trampled all over individuals, smaller businesses or communities -
either in the real world or online. When this kind of dispute happens between big companies, it is
generally the lawyers who benefit. When a company is picking on an
individual or smaller organisation, chances are that person or
organisation will not have the resources it takes to pursue their rights
through the courts, so in many cases it would simply be the end of the
Luckily for Morna, she had a wide established network of supporters, some of them reasonably influential in the right areas. So when @girlgeeks
became @girlgeeks_ on Thursday night, people noticed, they blogged about
it and retweeted it. By Monday, over 20,000 people had heard of the
incident, and many of them had made their feelings known on Twitter.
There is nothing like a good PR disaster to bring a company to its senses: when faced with customer
or community outrage, you had better be damn sure you're doing the right
thing. By the time I spoke to Morna on Tuesday, the Girl Geeks
trademark owner had realised this - and the impact of their actions on
Morna and the Girl Geek Scotland community - and offered to return the
@girlgeeks username, which is now back with Morna.
Beyond this, however, Twitter have so far not offered to comment or apologised for the
incident. Morna has asked them both for an apology and to review their
I am inclined to believe that this particular incident was not the result
of malice, either on the side of the trademark owner or Twitter - it
was simply an error of judgement, and those happen to the best of us.
Twitter in particular, however, has an opportunity here to learn from
this mistake and revise its trademark policy, which currently is wide
open to abuse.
Twitter’s main competitive advantage at the moment over
other services like Jaiku, Plurk and the popular, Free-Software-based identi.ca
is that it has a critical mass of users: if all your friends are on
Twitter, you’re not going to go talk to yourself on Jaiku. If, however,
enough of your friends are sufficiently put off by one too many errors
of judgement or PR disaster, suddenly services like identi.ca start looking a lot more attractive.
In Morna’s words,
Twitter users should lobby Twitter to support individual rights and to review
their policies to make changes which are more supportive of individuals
and the ethos of free speech and open communication that they have
become so closely associated with.
And if that lobbying doesn’t work, we should vote with our feet.
Milena is an economics & politics graduate, an IT
manager, and a campaigner for digital rights, electoral reform and
women's rights. She tweets as @elmyra
I've been writing for ORGZine
for about three months now, and I can't shake a certain feeling of
deja-vu. I used to be, if not active, then certainly extremely
interested in a few areas of digital rights back in the late 90s and
early 2000s. My particular geekdoms were largely centred around the Open
Source space and the music downloads space (remember Napster?)
graduated from University, got a real job in IT and promptly became much
less of a geek in my spare time - until I came across the Open Rights
Group a couple of years ago, and was persuaded to become a supporter when
they took on the BBC over a Dalek knitting pattern. So what had I missed in the intervening years? Not much, as it turns out.
To some extent that's true: within certain
communities - geeks and techies like my friend and me - that debate is
well and truly dead. To the public at large, and more scarily to most of
our leaders and policy makers, this is still new ground.
convinced me that I had really gotten into my time machine and headed
back ten years was this wonderfully sarcastic Computer World article
on the recent "cyber espionage" announcement by the Foreign Office. I
looked at the name of the author and rather thought that sounded
familiar. Eventually it clicked: back when we were still having the Open
Source debate, Glyn Moody wrote Rebel Code,
a wonderful little book on the history of Linux and the Open Source
movement. And here he is, still preaching Open Source, and here I am,
still doing the same.
What both the copyright and Open Source space have in common is that
law-makers are easily influenced by powerful lobby groups in these areas
- the content industry and technology vendors. There is currently one
person in the House of Commons who has worked as a scientist (Julian
Huppert MP), and not that many more who have worked in technology.
are under a powerful onslaught of "education" by lobby groups. Those of
us who settled these debates ten years ago amongst ourselves need to
reach out to our MPs, our ministers, and where possible to key civil
servants and try to reverse some of that brain washing they've undergone
Lots of conversations in my life these days are inspired by
single tweets. And those tweets, for me at least, are often inspired by
my own frustration in the media’s ineptitude on certain issues. One of
those issues, of course, is understanding the effects of social media
and the Internet more generally in the Arab world. The other day, after
reading a jumble of cyberutopian bullshit (and yes, the real outlier
stuff Evgeny Morozov talks about), I tweeted:
Please, spare me the “Internet/free flow of info/Libya”
meme. 5% Internet penetration, friends, does not a “net revolution”
Allow me to explain. Regardless of which side of the contrived fence
you stand on, you are unlikely to deny the anecdotal usage of Facebook,
Twitter, and other social networking sites for political organizing in
Tunisia, Egypt and elsewhere. Perhaps you, like Morozov, contend that
the Internet is more a tool of repression than one of liberation.
perhaps you argue that these revolts would have happened without the
invention of the Internet. Whatever your orientation, you are no doubt
able to see how, in a country where nearly one-third of the population
accesses the Internet and millions are on Facebook alone, the advent of
social media was helpful in both organizing and disseminating
Which brings me to Libya. Libya is not, in any sense, Egypt, nor is
it Tunisia. There are others who could explain the political
differences, so allow me to ruminate on two interesting and very
relevant factors: Internet and mobile penetration. The stats below are
from the International Telecommunications Union – one of several organizations that track such data–but are generally representative:
ITU Internet and mobile penetration stats
The normative question in relation to the Internet (mobile is
obviously a different story) is, then, how much do basic indicators like
Internet and mobile penetration affect the effectiveness of such tools
for organizational or revolutionary purposes? Or, can a tiny group of
Internet users* influence a countrywide movement?
After posting my tweet, I got an email of polite disagreement from Clay Shirky who, among other things, noted:
“Making the question “net revolution or nothing” kills the part of
the conversation that could be about how serious the effect of the net
was, in any situation. There’s a lot of space between inert and
And he’s right, of course, but I pointed out that he was not my
target demographic; rather, the tweet was directed toward that elusive
class of cyberutopians Morozov so often addresses (note: they might not
be the majority, but they do exist). Nevertheless, it sparked an
interesting conversation on various aspects of the debate, a couple of
which I’ll point to here.
First up, the media. The mainstream US media has
perhaps been the biggest cyberutopian of them all. I watched as, during
the Tunisian revolt, they shied from overhyping the Internet then,
turning to Egypt, began to gain confidence in their reporting. I
fielded literally hundreds of calls from journalists who wanted to know
(and I quote) “exactly how Egyptians are using social media.”
I wrote a
about it. I cheered a little inside that they were asking me (and more
importantly, actual Egyptian activists) rather than the likes of Tom
Friedman. And I did my best to talk to Egyptians and check all of my
facts (which is not to say I’m always right, or right to all), as did a
lot of journalists I spoke with. Bravo, all around.
And now, with Libya, we’re back to where we were in 2009 with Iran:
Completely dumbfounded and, unable to check facts with Libyans on the
ground, reporting inanities. Take Isabel Kershner’s garbage New York Times piece
on how Arabs are surprised (gasp!) that an Israeli created an autotuned
version of Qaddafi that is (gasp!) actually kind of funny. Or ABC
(parroted later by Wired) on the use of a Muslim dating site (which
they claim is the “Muslim Match.com”) to “rally the revolution”.
first example is straight up ridiculous, while the second could
be true (as Shirky points out, “it is often better to think of
dissidence than dissidents, because when a population gets radicalized,
they will use the tools they have to hand.”) But it is nevertheless a
single anecdote, not a diagnosis of how the Internet has been used in
Now, to that point: Frankly, we–and by we I mean folks in this space
as well as the media–simply don’t know that much about the Libyan
Internet. We know that the blogosphere is limited in size, and that the
Libyan exile community is active in this space and read by Libyans in-country. We know that Internet cafes in Libya are under heavy surveillance much of the time. We know that the Internet is only nominally filtered.
We also can assume that Libyan Internet users are largely urban, a
point that Shirky argues has a more complex meaning than what I had
I think social media (net/mobile phones/digital Al
Jazeera) was useful in Libya, even given 5% penetration, because of the
disproportionate value net access has in what became the sites and among
who became the participants of the uprising, and I don’t think this
makes me a woolly headed “X Revolution” labeler — I think it makes me
someone who lived through the progress from <1% penetration to ~75%
in my own country, and I remember how much of an effect 5% can have on
synchronization and coordination of key urban groups.
To that point, I responded that Madagascar might be an appropriate comparison to Libya in terms of Internet use for protest. Shirky agreed:
Yeah, and that’s because Antananarivo is to Madagascar
more like Seoul is to South Korea than to the Cairo::Egypt — what
happens in Tana is largely what happens in Madagascar, full stop, at
least politically, so the leverage of small degrees of connection is
hugely amplified by civic density.
I’m not feeling conclusive about any of this, but I think one of the
most important points to consider in all of this is Shirky’s offhand
definition of “social media” (net/mobile phones/digital Al Jazeera), to
which I would add “satellite TV” and possibly landlines. Of course,
acknowledging such a broad definition would challenge the media
narrative as well as numerous funding initiatives.
And now to the point of mobile, which is well outside my area of
expertise (and thus I invite you mobile advocates to jump in here): Libya was the first African country to reach 100% mobile penetration.
It now stands at 150% (which yes, means people own more than one
mobile, not uncommon in the Maghreb). Why is this playing second fiddle
to the media narrative of soccer and dating sites? Why isn’t mobile
the point of focus here? Hell, I ought to ask myself the same question
(answer: I’m already spread too thin).
It seems obvious to me that mobile (150% penetration), and not the
Web (5%) is the real champion tool here. So how do we start that
conversation? What are the key factors? How do we measure one against
the other? Let’s talk about that, please.
*in Libya, about 320K people have access, and we have to assume that some are apolitical or support Qaddafi
It is no
secret that social media has played an important role in the Middle
Eastern uprisings; and the government fears that similar citizen
protests could take hold in Russia. If these measures were implemented,
however, they would pose a serious threat to the Russian people. Such
rules increase the power of the government and weaken the citizen’s
move would represent an important change in law and policy. The
inevitable consequence of this would have a chilling impact. Imposing this
kind of legal regulation on speech is a form of indirect censorship,
and indeed may breed direct
censorship on the part of the websites. The idea is to turn the site
operators against the users they set out to empower.
John Hood makes
this point very succinctly: “Security agencies have proposed that owners
of social-media sites be made responsible for all comments on their
sites, a way to pressure them to turn over data on individual users who
might be subject to criminal prosecution.”
is an inevitable consequence of operating within this framework. If
users know that they are liable to be prosecuted for their comments,
they are less likely to dare to make them. This is reinforced by the
legal incentive on the websites to report users instead of ‘protecting’
them. In reality, preeminent organisations like Facebook and Twitter are
unlikely to be subject to such coercion. But bigger challenges will be
faced by Russian websites, which cannot depend on this international
the principle remains the same. This practice constricts freedom of
both expression and association. The internet is increasingly used as
tool to raise support for a cause, and to inspire corresponding action.
The Kremlin is patently aware of this fact, and feels threatened.
has hardly been the Russian government’s first attempt to control
online social media. They have previously launched a more proactive offensive in
training a “school of bloggers” who then disseminate propaganda in
favour of the government. This method functions as both a sword and a
shield for the Kremlin, who can also use these bloggers to counter
online attacks on the regime. Although the original initiative was
closed down, the same practices were adopted by the regions and have
a nation with 40 million internet users (who tend to be middle class
and more politically engaged), it is unsurprising that the government
wishes to exercise such control. The internet has been exposed as a tool
for liberation, so it is an obvious target for those who wish to suppress
Recent events have shown that as the potential for expression
increases, so does the potential for censorship. This new policy is
just part of a series of measures adopted in a bid to control the internet and restrict the new powers it has offered citizens.
Laura MacPhee is an editorial intern at the Index on Censorship, she tweets as @lcrmacphee
GuttenPlag is an ad-hoc
volunteer project which is examining the published version of zu
Guttenberg’s thesis for possible plagiarism. By February 21st,
GuttenPlag had published an interim
report (German link), having found that over two thirds of
all pages in Guttenberg’s thesis contained significant plagiarised
passages. Some of the more interesting finds include:
The thesis begins with a plagiarised passage.
Plagiarism of an essay by a first-year student.
Failure to correct spelling mistakes from the original source.
Plagiarism of close party colleagues.
Faced with mounting evidence and the Minister’s refusal to resign, the people - and especially academics - took
to the streets. Finally, after nearly two weeks of daily
revelations of further instances of plagiarism, Karl-Theodor zu
Guttenberg resigned as Defence Minister on March 1st.
a few note-worthy items about the GuttenPlag Wiki’s role in the affair.
I was struck by the scientific rigour of the work, almost as if to make
up for the lack of such rigour in its subject. These were not
16-year-old kids: judging by the style and quality of work the vast
majority of GuttenPlag contributors are academics, or at the very least
students, themselves. They are very particular about explaining their
methodology, documenting their assumptions, and generally being as
transparent as possible about what they are doing and how.
some ways this is nothing new: it is simply the use of technology to
facilitate collaboration, as it happens across countless organisations,
private, public and voluntary around the world on a daily basis. It’s
nothing that the likes of Wikipedia haven’t don’t before - using
technology and the internet to harness the power of volunteers. Yet the
way the effort was targeted to meet a single objective - investigate the
allegations of plagiarism against the Defence Minister - is what made
it distinctive in the landscape of technology uses for political
purposes. This is also arguably what made it so successful.
GuttenPlag Wiki is different to the likes of They Work for You: work on
it will probably stop in the next few weeks, sooner rather than later
it will be gone as its objective has been achieved. There is, of course,
still plenty of space and scope for more permanent tools like Write to
Them and They Work for You, but ultimately we must remember that it’s
not technology itself that is powerful and liberating - it’s what we
choose to do with it.
Milena is an economics & politics graduate, an IT
manager, and a campaigner for digital rights, electoral reform and
women's rights. She tweets as @elmyra
Does BT need television to compete with other service providers? Should the owners who own the means of distribution be allowed to also own the content it streams? Wendy G explores the issue of network neutrality.
Find us on
ORGZine: the Digital Rights magazine written for and by Open Rights
Group supporters and engaged experts expressing their personal views
People who have written us are: campaigners, inventors, legal professionals
, artists, writers, curators and publishers, technology experts, volunteers,
think tanks, MPs, journalists and ORG supporters.
ORGzine welcomes contributions. If you are interested in writing a comment on a digital rights issue,
please get in touch
The Open Rights Group campaign for digital rights, and defend democracy, transparency and new creative possibilities.
ORGzine is the Open Rights Group digital magazine. The zine is a space for news, opinion, features, and debate over the social,
political and legal issues associated with digital rights.