The publishing industry has faced a series of revelations about sock puppet reviews, authors praising themselves and slating ‘rivals’ under pseudonyms. Ian Clark looks at what this behaviour means for the rights of anonymity online.
In February this year Google overrode ‘Do Not Track' preferences in Safari. Privacy International founder, Simon Davies, led a meeting at LSE last week on the impact of this escapade; Wendy Grossman attended and discusses the conclusions.
Owen Hathway, Policy Officer for National Union of Teachers Cymru, discusses the Welsh Government’s ambitions for digital classrooms and the problems with such plans as ‘Bring Your Own Device.’
The Department for Work and Pensions are introducing changes to job seeking called ‘Universal Jobmatch’ and ‘Universal Credit’. Consent.me.uk explains the massive privacy impact of these new measures.
Natalia Buckley, one of the organisers of the Brighton Mini Maker Faire, celebrates and reviews the creative event, explaining what it is all about.
Wendy Grossman introduces a series of education themed articles on ORGzine with a look at the lessons kids are learning from the amount of personal data monitored in schools – finger printing to check library books out, cameras in toilets and tracking chips originally intended for livestock registering attendance.
Last Sunday Neil Gaiman’s Hugo acceptance speech was silenced by copyright bots. Wendy Grossman explains why and how it happened and how the blunt robots are key context to the European consultation on the notice-and-takedown rules that govern, among other things, how ISPs are supposed to respond when copyright infriging material is uploaded.
Missed some of the discussion on the zine? We pick out the best articles and stories on the zine from August.
Representing the target demographic for the Department of Education consultation on default online blocking of adult content, Ryan Cartwright is a Christian, a parent and an IT professional – and he has five reasons why network level blocking is a terrible and ineffective idea.
Wendy Grossman looks back at what the landing on the moon meant and how our predictions of the technology of the future are never quite right: “Computers are… yesterday's future, and tomorrow will be about something else”.
Ahead of the 5th September deadline for the European Commission’s consultation Saskia Walzel looks at the questions that need answering.
Sarah Wanenchak analyses outdoor tool manufacturer Stihl's 'Get Real. Get Outside' advert series. She argues that these adverts question the legitimacy and worth of the whole of our relationship with our gadgets, and perpetuates an idea that digital technology is somehow solitary. As she says "Pretty gutsy for a chainsaw company."
Wendy Grossman gives some historical context to the current Apple v Samsung case -such as the software patent and copyright infringement lawsuits of Lotus and Borland- and looks at where innovation really stems from.
Milena Popova condenses a weekend of talks at Turing Festival, Edinburgh's International Technology Festival in a report for ORGzine.
"A science literate society would be where the public is connected to the science process." We feature the second part of ORGzine's interview with Dr Jai Ranganathan, co-founder of the SciFund Challenge crowdsourcing platform.
"If there is anything that makes Scifund different it is that we all rise together" Jai Ranganathan, co-founder of the SciFund Challenge, kindly agreed to be interviewed for ORGzine and spoke about how their crowd-sourcing platform works and what its real purpose is.
Melanie Dulong writes that the concept of the Public Domain needs a re-awakening, framing it as not at odds with copyright, but setting it out as a manifesto behind the actions of Communia.
Wendy Grossman discusses Google’s decision to downgrade in its search results sites with an exceptionally high number of valid copyright notices. She analyses in the context of whether we concede the rights of free speech to computers' decisions -and how society must address this question.
In the light of several recent cases of tweeted insults and criticisms causing police interference, Habib Kadiri makes some suggestions as to what the police should be doing when they spot abuse on Twitter.
Francesca Coppa is a founder of the Organisation for Transformative Works, a group run by fans who aim to preserve fan-fiction and other fan works. She writes about how the commercialisation of the internet has galvanized fandom and why what they do is important.
Wendy Grossman looks at last week’s story of how journalist Matt Honan had his Google, Twitter and AppleID all stolen and data destroyed– and walks through how he was so thoroughly hacked and what the best solutions and preventions are from this.
Although there has been criticism of digital censorship at the Olympics, Camille Brown celebrates the reverse -the online solidarity and voices for female athletes competing for the first time in this Olympics.
Missed some of the discussion on the zine? We look back at the last month of stories and features on the ORGzine.
Graham Armstrong discusses the ethics of hacktivism; addressing the issues of whether it can be a form of censorship and whether this style of protest is effective and, most importantly, legitimate.
Milena Popova explains the story of Germany's new contraversial legislation on personal data.
Consumer Focus has published an expert report by Dr Richard Clayton on online traceability, Saskia Walzel follows the trail of his analysis.
Wendy Grossman looks back at this week’s real-life Internet-related news, showing that it has seen so many retcons and reversals, that if it were a TV series, the showrunner would demand that the writers slow the pace.
It's been a big year for the UK government's open data agenda. Chris Yiu reviews what's been achieved and asks what needs to happen next.
Peer 2 Peer University and Creative Commons are joining together in a collaborative project called the School of Open. In advance of their virtual sprint today, ORG interviewed Jane Park the School of Open Project Manager to discuss openness, the collaboration and how the School will work.
Wendy Grossman responds to Elizabeth Wurtzel’s ‘ideas’ piece on copyright in the The Atlantic with a firm rebuttal.